Sunday, October 23, 2011

Tracy Kidder and His Art of Storytelling

Tracy Kidder is a name I only heard once while watching my friend read Mountains Beyond Mountains for her Introduction to Global Health class. My friend lauded on  the descriptions of Paul Farmer's life provided by Kidder in the novel and the accomplishments, goals, and efforts he made to solve health problems on an entirely global scale. Through Kidder's presentation, I learned about his relationship with Paul Farmer, the founder of the Partners in Health organization, and Deo, a young medical student from Burundi. As a Pulitzer Prize winning writer, Kidder enjoys simply the pleasure of storytelling, especially about Farmer's mission to build a clinic in an impoverished part of Haiti and Deo's passsionate goal in creating a system of public health in his rural village in central Africa. For Deo, he was working as a hospital intern when Burundi erupted in an ethnic civil war. Surviving the onset of the war, he escaped to Rwanda then New York City, delivering groceries and finally enrolling at Columbia University to progress in his dream of improving public health in his native land. Strength in What Remains is not only a story about survival of a individual in midst of an ethnic war, but also a tale about survival, despair, determination, evil, and kindness. While telling the story of Deo, Kidder remarked how one person can affect the global process of problems with diseases. He added that the best stories of living monuments are "memories that have to be preserved," for his way of upholding Deo's life was to tell and spread his remarkable story worldwide. In doing so, he says that there is no need for justification. In addition, Kidder stated that he accidentally started the book in Haiti, intentionally uninterested in the issues that outlined the lives of individuals in the country. Instead, what he aspired to do was art. He mentions that "art has the great power to transform the sufferings into something beautiful."

I think he achieves both storytelling and the art of touching the lives of others around the world. By conveying the story of Deo, he inspires individuals to recognize the global problems and what people are currently doing to save others from ongoing affliction. In fact, I believe that the stories he tells have the potential to encourage readers to experience the character's lives from writing on the page "into the minds of the reader's imagination." I believe that through his presentation, Kidder hoped to build comprehension of global issues through embodiment of inspirational human experiences. Interestingly, Kidder questioned the audience about their ways of approaching hardships that Deo experienced. This question lingered in the atmosphere of the auditorium. I realized that through similar questions embedded in his stories, Kidder has improved the mindsets of individuals to help the world and stop neglecting the virtuous accomplishments people are currently making. In our AMST class, we learned that racially-motivated riots occurred due to society's neglect towards social tension, which certainly relates to the obliviousness of society with not just racial problems, but also health issues in the world today. For our Writing 140 class, I learned that I should not just formulate a group of words into sentences, but stir the imaginations of the readers, inspire, and attempt to create life and a greater understanding of the world on paper. 

4 comments:

  1. Kidder definitely emphasized being able to relate to the audience through characters' stories. Through an emotional connection, the audience becomes involved in the lives of characters. What, then, would be the antithesis? What occurs when there is no emotional attachment?

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  2. I also came to the same conclusion as you: that we should put meaning behind our words and captivate our audience. How are some of the ways you will attempt to do this in your essays for WRIT 140? Also, I found it very interesting that Tracy Kidder chose to write about Paul Farmer, instead of directly focusing on the suffering of the people in Burundi. Wasn't it strange that he didn't talk about what he did when he went to Burundi, but preferred to speak about the organization instead? I guess I might have to read the book to find out...

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  3. To From the Grove: According to Kidder, a story should definitely be written under the goal of making emotional connections with the audience. A piece of writing without a way to even slightly influence a reader either emotionally or mentally is most likely an ineffective story and be unable to play a significant part of the reader's life. The antithesis, therefore, would provide no prominent purpose to a story.

    To DivG123: In my next essays for WRIT 140, I am planning to not only utilize factual evidence to support my argument, but also apply my claim to the conditions regarding immigration in the United States today. This method can be my way of acknowledging the issues of immigration so that future problems regarding the same issue can be prevented. On another note, I am considering that Kidder focused his novel on Paul Farmer so that he can fulfill his art of storytelling. Because it can serve as a better, more relevant strategy to tell about an issue, such as the sufferings in Burundi, Kidder probably chose to tell a story about Farmer and how he came about establishing the Partners in Health organization.

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  4. SC, I agree with you on your above point. There is no such thing as a good piece of writing that does not provoke any emotional reaction or attachment from readers. There would be absolutely no point in publishing writing of that sort. I do think there are lots of books/articles/etc. that stir up emotional responses in some readers and absolutely none in others. Do you agree? If so, why do you believe this is?

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